Understanding the “Lost” Finale
So last night was the big finale of “Lost,” the TV show sensation that proved you don’t actually need to have a workable plot to make uber-gazillions of dollars selling flashing pictures to people.
I haven’t actually watched the finale yet. I may or may not, but the murmur I’ve seen on the interwebs about it today indicates that the finale is probably pretty much what I thought it would be.
A month or so ago I read about this in my issue of “Wired.” I like Wired, but admittedly the authors are guilty of a bit of fanboyism with some things. Like Google. And Apple. And, apparently, Lost. They did a big write-up where, among other things, they discussed with the writers of “Lost” many of the unsolved questions in Lost up to that point, and asked the writers if all the questions would be answered. The writers pontificated, talked in circles, praised themselves and their genius, and in many other ways answered, to paraphrase: No, not really.
I was going to post a link to the Wired article, but I changed my mind because they used a potty word. But you can get pretty much the gist of it here.
Anyway, I figure I better chip in here, to help people understand the finale of “Lost.” I think I owe it to the global economy to just cut to the chase here and end the debate.
Episode 1: A bunch of people miraculously survive a jet airliner crash-landing on a tropical island in the middle of the Pacific Ocean, only to find they are deserted there.
Episodes 2-(Finale-1): The writers attract a devoted following as they create more questions than answers by throwing everything into the show they can think of. Lifelike inanimate objects. Unexplained wild animals. Intricate past and future lives. A mysterious sequence of numbers. Others. Dharma Initiatives. Moving islands. Magnets. Time travel. Alternate universes. Nuclear weapons that don’t kill people. Dead people who are not dead. An island that needs protecting. As best I can explain it, the writers would get together on Monday, do drugs all week long, and on Friday they’d take whatever they happened to write down or remember from the week and make that into a show.
Finale: Panic sets in as the writers realize that people want an ending. Then they remember: We’re artists! We’re elite! We don’t have to explain ourselves! If the audience can’t understand our art, that makes them uncultured swine! And we can even tell them this and they will worship us all the more! We don’t have to explain anything!
Somewhere in here, in an incredible act of hubris, they actually tell people in magazine interviews that they are doing this. And even more incredibly, most people hear this and say, “Oh, yes! We ARE uncultured swine! Thank you for not answering any of our questions!”
Anyway, I hope this clarifies things for you.

